Re-wetting the void: Tenter Ground, London
Past exhibition
Overview
Re-wetting the void is a group exhibition that explores sound as a medium by inviting audiences into an inner state of listening and stillness. Posited by the late pioneering composer and accordionist Pauline Oliveros, the mere act of observing a sound changes the sound itself, while simultaneously changing the listener.
The exhibition features painting, photography, video, sound, sculpture and installation works by an all-female group of artists: WeiXin Quek Chong (b. 1988, Singapore; living in Madrid), Isabella Dyson (b. U.K.; living in London), Chang Meng (b. China; lives and working between London and Chengdu), Phuong Nguyen (b.1992, Canada; living in Toronto) and Fiona Ones (b.1986, Germany; living in Munich).
On the occasion of London Gallery Weekend, there is a live activation by collective Tangram titled After the Water Has Left in response to the exhibition and related to the theme: Tao of Tea. It includes audience participation in a tea ceremony.
Sunday 7 June: 13.30-14.00 & 15.30-16.00.
RSVP required here (limited capacity).
This year, London Gallery Weekend are offering free live gallery tours in the Spitalfields area, book here.
Installation Views
Works
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Phuong Nguyen, Planche CLXXXIV -
Phuong Nguyen, Planche XLIV -
WeiXin Quek Chong, Jade Liquid Bondage IV, 2023 -
WeiXin Quek Chong, Jade Liquid Bondage III , 2023 -
WeiXin Quek Chong, elongación líquida.1, 2021 -
Fiona Ones, Palm, 2020 -
Fiona Ones, Sparks Ocean, 2020 -
Isabella Dyson, Wind in the lungs, 2026 -
Chang Meng, After the Water Has Left, 2026 -
Chang Meng, Dehydrate & Rehydrate, 2026 -
Chang Meng, Desiccated, 2026 -
Chang Meng, Figurehead, 2026

