As an artist, curator, and filmmaker; Kent Chan’s practice revolves around encounters with art, fiction, and cinema that form a trio of practices porous in form, content, and context. He holds a particular interest in the tropical imaginary, in particular, the past and future relationships between heat and art, and contestations to the legacies of modernity. The works and practices of others often comprise Chan’s subject matter, which have taken the form of films, texts, conversations, exhibitions, and music. Chan’s work often draws from popular culture, media, and social media, with a keen interest in electronic music and its association with forms of futurism.